My third and last illustration shows a common palermitan tavern, with the typical arch in the background.
I wanted that to create a connection between a tavern and the ancient gates of Palermo as well as the city walls.
Many still exist, others were lost throughout history. Each one of them represent a specific sociological, historical and political hand in its downfall.
In Palermo there are Punic-Roman doors, Arabic doors, Norman doors and Renaissance doors, so apart from the connection to the many arch gates present today, I also wanted to establish a connection between a tavern that I always appreciated and loved its traditional food that has been served there for years – Trattoria Al Vecchio Club Rosanero. I decided to create these connections in order to explain the place where the superstition takes place in, as it is about food, bread specifically.
In a page of the Promessi Sposi, in which Renzo enters Milan and sees scattered along the way the white flour and then a large amount of freshly baked fragrant forms of bread, the poor young man is petrified in the face of so much destruction. Then he will discover that shortly before there had been the famous assault on the Forno delle Grucce.
For older generations and for Renzo, the bread was blessed. It was never thrown away. Maybe given to animals, but wasting it was a sin! Bread was everything for the poor, it was the first food, they ate bread and companatico, bread and wine, bread and spit, bread and gall, bread and anger, but always bread! This is the superstition more present in my house. As a child I would immediately turn the bread that my parents or grandparents emptied from the paper bag on the table, as if already knowing the superstition that I wanted to avoid, and while setting the table, you “adjust the bread”.
Superstition:
Turning bread upside down at the table is like turning your back on Jesus. This superstition varies from province to province and from family to family, in mine, one could not leave the bread upside down because it was like keeping the face of Jesus down, as disrespectful as it gets.